OReilly Commercial Photoshop Retouching In the Studio

[Devil]

CONTENTS

Chapter 1. The Professional Retoucher's Studio
Section 1.1. The Photo Retoucher's Work Environment
Section 1.2. The Workflow of a Typical Retouching Job
Section 1.3. Becoming a Professional Retoucher
Chapter 2. Shadows and Light
Section 2.1. Imagining the Light That Should Have Been
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Section 2.2. Creating a Simple Shadow
Section 2.3. Creating Shadows for Complex Objects
Section 2.4. Retaining an Existing Shadow in a New Background
Section 2.5. Grounding Objects with Shadows
Section 2.6. Common Shadow Mistakes
Section 2.7. Keeping a Shadow Library
Chapter 3. Corrections: Improvements on Reality
Section 3.1. Correction Basics
Section 3.2. Adding Texture to an Image
Section 3.3. Using the Clone Tool
Section 3.4. Neutralizing Images
Section 3.5. Brightening Images
Section 3.6. Changing Image Colors
Chapter 4. Something from Nothing
Section 4.1. Creating Smoke or Steam
Section 4.2. Creating a Smile
Section 4.3. Creating Motion from Stillness
Section 4.4. Extending Backgrounds
Section 4.5. Shining Things Up
Chapter 5. Special Color Requests
Section 5.1. Creating Touch Plates
Section 5.2. Merging Spot Colors into CMYK
Section 5.3. Converting CMYK to Special Colors
Section 5.4. Changing a Four-Color Image to Three Colors
Section 5.5. Adding Trap
Section 5.6. Changing the Overall Color
Chapter 6. Merging Images
Section 6.1. Preparing the Pieces: Options for Selecting the Components
Section 6.2. Preparing the Canvas: Your Position File
Section 6.3. Putting the Pieces Together
Chapter 7. Low Resolution on a Grand Scale: Making Low Res Look High
Section 7.1. Understanding the Spec Sheet
Section 7.2. Assessing the Situation
Section 7.3. Improving the Existing File to Survive Magnification
Section 7.4. Dealing with Specific Image Problems
Chapter 8. Preparing Images for Newsprint
Section 8.1. Start by Understanding the Process
Section 8.2. Preparing a CMYK Image for Use in Newsprint
Section 8.3. Preparing a Color Image for a Black and White Newspaper
Chapter 9. Preparing Images for Use on Packaging Materials
Section 9.1. The Image You Have Versus the Image You Need
Section 9.2. The Spec Sheet
Section 9.3. Preparing a CMYK File
Section 9.4. Another Option: Creating a Special Color
Section 9.5. Trapping on Special Packaging

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